"By not looking like a fool!" cried Mrs. Gereth very sharply. She kissed her, however, on the spot, to make up for this roughness, and summarily took off her hat, which, on coming into the house, our young lady had not removed. She applied a friendly touch to the girl's hair and gave a businesslike pull to her jacket. "I say don't look like an idiot, because you happen not to be one, not the least bit. I'm idiotic; I've been so, I've just discovered, ever since our first days together. I've been a precious donkey; but that's another affair." "Why, she simply won't marry me, don't you see?"!

Our young lady met this branch of the temptation it pleased her frankly to recognize by declaring that to encourage any such cruelty would be tortuous and base. She had nothing to do with his dislikes; she had only to do with his good-nature and his good name. She had joy of him just as he was, but it was of these things she had the greatest. The worst aversion and the liveliest reaction moreover wouldn't alter the fact—since one was facing facts—that but the other day his strong arms must have clasped a remarkably handsome girl as close as she had permitted. Fleda's emotion at this time was a wondrous mixture, in which Mona's permissions and Mona's beauty figured powerfully as aids to reflection. She herself had no beauty, and her permissions were the stony stares she had just practiced in the drawing-room—a consciousness of a kind appreciably to add to the particular sense of triumph that made her generous. I may not perhaps too much diminish the merit of that generosity if I mention that it could take the flight we are considering just because really, with the telescope of her long thought, Fleda saw what might bring her out of the wood. Mona herself would bring her out; at the least Mona possibly might. Deep down plunged the idea that even should she achieve what she had promised Owen, there was still the contingency of Mona's independent action. She might by that time, under stress of temper or of whatever it was that was now moving her, have said or done the things there is no patching up. If the rupture should come from Waterbath they might all be happy yet. This was a calculation that Fleda wouldn't have committed to paper, but it affected the total of her sentiments. She was meanwhile so remarkably constituted that while she refused to profit by Owen's mistake, even while she judged it and hastened to cover it up, she could drink a sweetness from it that consorted little with her wishing it mightn't have been made. There was no harm done, because he had instinctively known, poor dear, with whom to make it, and it was a compensation for seeing him worried that he hadn't made it with some horrid mean girl who would immediately have dished him by making a still bigger one. Their protected error (for she indulged a fancy that it was hers too) was like some dangerous, lovely living thing that she had caught and could keep—keep vivid and helpless in the cage of her own passion and look at and talk to all day long. She had got it well locked up there by the time that, from an upper window, she saw Mrs. Gereth again in the garden. At this she went down to meet her. Fleda was silent a little. "What do you know about his 'loving' me?"

"Yes, Mona will. She'll open it under the pretext of having it repeated; and then she'll probably do nothing. She'll keep it as a proof of your immodesty." Fleda was silent; the worst of it all was that there was something unspoken between them. Neither of them dared to utter it, but the influence of it was in the girl's tone when she returned at last, with great gentleness: "Don't be harsh to me—I'm very unhappy." The words produced a visible impression on Mrs. Gereth, who held her face averted and sent off through the window a gaze that kept pace with the long caravan of her treasures. Fleda knew she was watching it wind up the avenue of Poynton—Fleda participated indeed fully in the vision; so that after a little the most consoling thing seemed to her to add: "I don't see why in the world you take so for granted that he's, as you say, 'lost.'" "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"